6 Mart 2013 Çarşamba
Korg Kronos Piano Vs Roland Rd700Nx Piano
KORG KRONOS 73 DEMO NA CLASSIC KEYBOARDS
3 Temmuz 2010 Cumartesi
Roland Fantom X6: Purple Organ Thrills Deep Purple Fans And Other Sounds From The Fantom X6 Thrill O
Roland Fantom X6: Purple Organ Thrills Deep Purple Fans And Other Sounds From The Fantom X6 Thrill O
17 Ocak 2010 Pazar
Roland V-Synth
Released in 2003, the V-Synth was a new flagship synthesizer from Roland debuting some of their coolest features of the time, allowing for a new world of sounds full of life and motion. The V-Synth combines multiple oscillator technologies, user sampling and new COSM filtering for incredibly dynamic new sounds. The user has realtime control of a waveform's pitch, time and formant plus a killer arpeggiator and a host of realtime controllers including the revolutionary TimeTrip Pad and twin D-Beam controllers. All this leads to sounds that can move, morph, evolve and sound totally unique.
The V-Synth has dual oscillators that offer a choice of three different synthesis methods: analog modeling, PCM waveforms with user sampling, and external audio input processing--all with up to 24-voice polyphony. The PCM oscillator is powered by VariPhrase for complete sonic control. Choose from over 300 preset waveforms or sample your own. Then use the "TimeTrip" function to manipulate a waveform's time aspect in any way you wish. Slow it down to uncover rich moving harmonic content; speed it up to create high-speed tonal motion; freeze it at your favorite spot; or rewind it backward at any speed without changing pitch and formant, which can also be independently controlled. The Analog modeling offers several fat-sounding analog style waveforms. The third oscillator type is External Audio Processing, which lets you process any signal arriving at the V-Synth's analog inputs. All three oscillator types can be layered and mixed in several ways, or modulated using FM, ring mod and oscillator hard sync.
All programming is achieved via the large LCD Touch Screen plus a bunch of hands-on controls and knobs including the new TimeTrip Pad, twin D Beams and the velocity/aftertouch sensitive 61-note keyboard. While you can independently manipulate the pitch, time and formant of sampled waveforms using VariPhrase technology there is also powerful COSM processing offering analog-style filter modeling, a resonator and Side Band Filter, plus global reverb, chorus and multi-effects. The V-Synth's programmable arpeggiator can modulate sound parameters to provides additional rhythmic and timbral controls.
The V-Synth is fully suited to the modern day studio as well, with analog I/O and MIDI ports supplemented by USB and digital S/PDIF I/O ports. Use the analog or digital inputs to sample your own waveforms to be used in the variable oscillator. You can even exchange .WAV and AIFF files via the built-in USB port, which also works for MIDI. Resampling is also possible, allowing users to capture any performance with the TimeTrip Pad, D Beam or arpeggiator - or even effected sounds - as an entirely new waveform. All Preset Patches are fully re-writeable, giving users plenty of space for their own creations, which can also be saved via USB to a computer or to an optional PC card. With PC card adapters, other media such as CompactFlash, SmartMedia and MicroDrives can also be used.
Additionally, with V-LINK Onboard Video Control users are allowed playback and performance of video clips with music created on the V-Synth via the Roland DV-7PR Digital Video Workstation (sold separately). Use V-LINK to trigger different video clips with V-Synth's keyboard while using the bender to change playback speed. Using the TimeTrip Pad, you can scan a clip forwards or backwards with your finger, or change colors using the Twin D Beams. A totally unique feature perfectly suited for live use.
Specifications
Polyphony - Up to 24 voices (depends on CPU load); 16-part multitimbral (12 when using arhythm kit)
Oscillators - Dual Oscillators: Three types:
1: Analog modeling (14 waves: SAW, SQUARE, TRIANGLE, SINE, RAMP, JUNO, HQ-SAW, HQ-SQUARE, NOISE, LA-SAW, LA-SQUARE, SUPER-SAW, FEEDBACK-OSC, X-MOD-OSC)
2: PCM/Variphrase (Preset waveforms + Sampling waveforms)
3: External Audio.
Sampler - Yes, make your own PCM samples. Sampling Frequency Internal: 44.1 kHz; Digital Audio IN/OUT: 96, 48, 44.1 kHz
Effects - MFX (Multi-effects): 41 sets; Chorus: 8 sets; Reverb: 10 sets; EQ; COSM: 16 types (OD/DS, W-SHAPE, AMP, SPEAKER, RESONATOR, SBF1, SBF2, COMB, DUAL, TVF, DYN-TVF, COMP, LIMITER, F-SHIFT, LO-FI, TB-FILTER).
Memory - 1 Project; 512 Patches; 999 Waves, Wave memory (RAM): 50 MB (When the unit ships from the factory, 32 MB of this is taken up by the preset waves.); PC CARD slot (Microdrive, SmartMedia or CompactFlash can be used with PC card adaptor.)
Keyboard - 61 keys (with velocity and channel aftertouch)
Control - MIDI In/Out/Thru; USB
Date Produced -
V-Synth: 2003
V-Synth XT: 2005
V-Synth GT: 2007
Est. Value - $2,000 - $3,000
Roland XP-10
The XP-10 was an entry-level Workstation synthesizer. It's a digital synthesizer that uses sampled sounds and waveforms stored on ROM chips. Basic envelope and filter settings can be manipulated to tweak the sounds, but that's it. The sounds themselves are preset and not very tweakable. Though its filter is digital, it is resonant and sounds ok. There is also basic reverb and chorus effects. However, the LCD display is narrow and programming can become tedious, if not boring and the interface is often reported as being 'buggy'.
However, its sounds can be anything but boring at times! Standard GM-set and SR-JV80 type sounds include great acoustic instruments (pianos, strings, winds, percussion and brass) and a lot of nice synth-type sounds (303 lines, sub bass, noise, leads, pads). It is quite capable of creating dance music or symphonic performances.
As a workstation, the XP-10 provides at least a starting point. It has an arpeggiator with several preset patterns (but no user patterns). There are two programmable sliders for real-time control of some of the editable parameters like the filter cutoff. Another feature called "X-Dual" mode layers two sounds which can be panned and mixed independently to create a new sound. Today, the XP-10 makes an ok back-up synth for quality but basic sounds, but it still leaves much to be desired.
Specifications
Polyphony - 28 Voices
Oscillators - Digital Acoustic simulation
LFO - Yes
Filter - Resonant Digital Filter
Effects - 2 Effects units with up to 10 different effect types
Memory - 338 Preset, 256 User patches; 64 Preset, 64 User performances; 16 Preset, 20 User Drumkits
Keyboard - 61 keys (responds to velocity and aftertouch)
Control - MIDI (16-parts; can send on 2 simultaneous channels); PC/Mac port
Date Produced - 1994
Est. Value - $400
Roland XP-50
It has 8MB of sounds and it also offers a lot of expandability with 4 expansion slots and 2 data card memory slots. You can get up to 42MB of sounds by adding any of the popular SR-JV80 expansion cards suited for Techno, World Instruments, Orchestral or Synthesizers. There's also plenty of multi-effects, reverbs, choruses and filters for creative flexibility, motion control and extensive MIDI implementation.
Some of the features the XP-50 brings (to the JV-1080) are a standard 61-note keyboard with velocity and aftertouch. The MRC-PRO 16-track sequencer which features 60,000 note capacity and can hold 100 patterns and 1 song. Several recording features (loop, step, realtime), quantization and editing features are available too. A built-in 3.5 inch disk drive facilitates storage of your sequences and MIDI data. With a 'bang for your buck' value the XP-50 still makes a great keyboard alternative to the JV-1080. That means you get some of Roland's best sounds in a performance workstation that is as affordable as 'pro-quality' can get (beyond which come the XP-60 and XP-80 mega-synths). It has been used by The Cure.
Specifications
Polyphony - 64 Voices
Oscillators - 32 bit custom RISC chips for Digital Acoustic simulation; 512 on-board waveforms (plus up to four 8MB SRJV80 series expansion boards)
LFO - Up to 8 MIDI syncable LFOs
Filter - TVF (lowpass, bandpass, high pass, peak) with cutoff, resonance, key follow and velocity sensitivity
Effects - 40 multi-effects, reverb, chorus
Memory - 640 Patches, 128 performances
Keyboard - 61 keys (responds to velocity and aftertouch)
Control - MIDI (16-parts)
Date Produced - 1995
Est. Value - $500 - $1,000
Roland XP-80
The XP-80 was one of Roland's flagship digital Workstation Synthesizers. With extensive professional features, superb quality PCM sounds, sequencing, effects and more, the XP-80 could be the only synth you may ever need! Compared with earlier XP-series synths, the XP-80 adds a great 76-note semi-weighted keyboard for a realistic playing experience. A bright and large 320 by 80 pixel backlit display gives easy readability to any programming and sequencing you may do on the XP-80.
The XP-80 offers up 64 voices of polyphony and can send on up to 16 MIDI channels simultaneously. The sounds are all digital in nature and sound pretty good too! Though its strengths are the emulation of acoustic instruments, it can create synth-type sounds too. It comes with 16MB of ROM sounds, but there's room for up to four 8MB expansion boards that add Orchestral, Techno, Vintage Synths, World, Bass & Drums and other instrument sets (from the SR-JV80 expansion series).
Bringing up the 'Workstation' end of the XP-80 is a full-fledged on-board MRC Pro sequencer. With a 60,000 note capacity, 100 patterns, and 1 song position - you can create songs, patterns, loops or phrases with relative ease. Other features of the sequencer include Grid, Groove or Shuffle quantization and a built-in disk-drive. The XP-80 also excels as a Master Keyboard controller used to control other synthesizers and MIDI gear. A great Arpeggiator is also available. High quality internal effects are provided such as Reverbs, Chorus, Delays and Roland's EFX multi-effects technology. There are also digital filters (4-pole, 12dB/oct, HP, LP, BP, Peak) and a ring-modulator for analog-synth type effects, perfect for dance and techno music! A Modulation-Matrix provides up to two LFO-effects for adding motion and life to the sounds. In addition, there are 6 sliders for real-time control.
In a nutshell, the XP-80 is a pure digital synth. Its sounds are virtually the same as the JV-1080, JV-2080, XP-60 and XP-50 synthesizers. And the XP-80 makes a great all-in-one Workstation or Master Keyboard controller for any musical application. For a digital instrument, the sounds can be surprisingly expressive and the XP-80 is not reserved for any particular musical genre, other than top-quality music! From Carnegie Hall to warehouse Raves, the XP-80 has been used. If you don't require such an elegant keyboard, the XP-60 is the next best alternative. And if you don't need any keyboard, the JV-2080 or JV-1080 make the next best alternatives to this flagship workstation.
Specifications
Polyphony - 64 Voices
Oscillators - 4 osc. per voice; Digital PCM subtractive with 16MB of ROM (expandable to 80MB)
Sequencer - 60,000 notes, 100 patterns, 1 song
Filter - Resonant 4-pole, 12dB/oct, High pass, LowPass, BandPass, Peak filtering
Effects - 3 processors: EFX (w/ 40 effects), reverb, chorus, delay, ring modulation, distortion, etc.
Memory - 512 Preset, 128 User patches; 64 Preset, 32 User performances; 8 Preset, 2 User Drumkits
Keyboard - 76 semi-weighted keys (responds to velocity and aftertouch)
Control - MIDI (16-parts)
Date Produced - 1996
Est. Value - $1,500
16 Ocak 2010 Cumartesi
Roland JV-2080
The JV-2080 is everything you could expect from a modern sound module, but more! A massive 64 voice multitimbral performance module that strives to offer the best all-around features for creating new and vintage sounds for any musical style. Excellent acoustic sounds of all instruments both common and ethnic. A massive amount of techno sounds complete with pulses, blips, sweeps, and the ever popular LFO, VCF and VCA type controls for patch editing and real-time editing. The 2080 is extremely expandable with room for 8 sound cartridges from the JV-80 series, as well as a data card slot. The 2080 has 5 excellent effects processors too, including the new EFX processors. Verb, delay, panning effects, chorus, flange, etc... It is used by many artists from all styles including Todd Terry, Max Graham, Richard Barbieri, Mike Oldfield, LTJ Bukem, ATB, and Hardfloor.
Specifications
Polyphony - 64 voices
Oscillators - 8MB of sample ROM and acoustic simulation. Expandable with SR-JV80 expansion boards
LFO - 2 LFO's (sine, saw, square, triangle, trapezoid, sample&hold, random and chaos) w/ key or external sync. Can modulate the pitch, filter, pan, or level
Filter - TVF (lowpass, bandpass, highpass, peak) with cutoff, resonance, key follow and velocity sensitivity
VCA - TVA ADSR (tone level, pan, key follow)
Memory - 128 user, 640 presets, 2 user rhythm kits, 10 preset rhythm kits, 32 user performances, 64 preset performances and 8 expansion board slots
Keyboard - None
Control - MIDI (16 channels)
Date Produced - 1997
Est. Value - $1,200
Roland JV-80
The JV-80 was an excellent mid-nineties digital synthesizer in its time. It helped lay the foundation for the later JV-1080, JV-2080 and XP-series synths. It featured a full 61-note keyboard and several sliders above the keyboard with assignable parameters for fast hands-on editing. Though its stock sounds are nothing great, it can take any of the SR-JV80 expansion boards for 8MB of great new sounds from any of the Orchestral, Vintage Synths, Techno, etc. sets.
Unfortunately, the JV-80 is no workstation like the XP-synths that followed it. With only 28 voice polyphony and no built-in sequencer, its likely that this won't be your ONLY synth. The JV-90 is basically the same as this, except that it has an excellent 76-note semi-weighted keyboard for a great feel, more memory and sounds. The JV-80 also came in a 1-space rack-mount form as the JV-880. The JV-80 has been used by Eat Static and Vangelis.
Specifications
Polyphony - 28 voices
Oscillators - 4 per voice; Digital 4 MB of ROM sampled sounds
Arpeg/Seq - None
Filter - Digital TVF filters
LFO - 2 LFOs routable to pitch, TVA amps, or TVF filters
Effects - 2 Effects units
Memory - 192 Patches (64 user), 48 Performances (16 user) - expandable via 8mb expansion boards
Keyboard - 61 keys (responds to velocity and aftertouch)
Control - MIDI IN/OUT/THRU (8-parts)
Date Produced - 1992 - 1994
Est. Value - $750
Roland JUNO-D
Roland has brought the JUNO back, but this is not an analog synth--it is a budget digital wavetable synthesizer. It may not look anything like its predecessors, nor does it sound like the classic analog poly-synth whose name it bears, but like those before it, the JUNO-D offers a fairly robust package of synth sounds and potential in a streamlined, user-friendly interface at a reasonable price---making it a good entry-level keyboard.
The JUNO-D comes with 32 MB of waveforms in its memory including Roland's stereo multi-sampled piano, and a whole range of synth sounds from vintage synths to GM2-compatible. Patches are organized in categories such as Piano, Guitar, Orchestra, etc. There are digital resonant filters, LFOs, multi-effects, phrase sampling, chord memory, five front-panel control knobs and a D-Beam controller so you can twist any of the hundreds of patches it ships with into your own more unique sounds. Those who want to program their own JUNO-D sounds via computer, a Mac/PC editor is included.
A Limited Edition model was released (pictured above) which doubled waveform memory to 64MB and added extra patch memory storage (706 total patches, 66 are new) and featured some newly programmed sounds including an incredibly realistic piano based on 88-key stereo multi-sampled waves, a massive rock organ, '80s-era brass and electric piano, vintage synth sounds and many others.
As entry-level keyboards go, you can't go wrong with the JUNO-D. It has hundred of quality Roland sounds at your disposal, and tweaking them is fairly easy. However, this is not a workstation (like the JUNO-G) nor is it a retro re-make of the classic JUNO series synthesizers. It offers JUNO-like simplicity, yes, but more discerning synthesists and keyboard players may want to look elsewhere for better sounds or a more advanced keyboard than the JUNO-D. In other words, the original JUNO-series has nothing to worry about from this new JUNO.
Specifications
Polyphony - 64 voices (16-part multitimbral)
Oscillators - 32 MB (64 MB Limited Edition Model) Waveform Memory, 686 Original Tones
Sequencer - Rhythm Guide: 32 Preset Patterns
Arpeggiator - Phrase/Arpeggio Templates: 342; User Templates: 8; Styles (Variations): 473
Multi-Chord Memory: 16 Presets, 8 user
Effects - Multi-Effects: 47 types; Reverb: 8 types; Chorus: 8 types
Memory - 640 Patches (706 Limited Edition Model), 20 drum kits, 32 Performances, 128 User Patches
Keyboard - 61 keys (with velocity)
Control - MIDI IN/OUT
Date Produced - 2005
Est. Value - $500
Roland D-10 / D-110
Second generation D-50 style synthesis. The D-10 is a Digital Linear Arithmetic Synthesizer and the D-110 is its upgraded rackmount version. Capable of decent acoustic sounds and great new synth-type sounds the D-10/110 is a great and cheaper alternative to the popular D-50. It has a confusing synthesis / editing method composed of tones, partials and timbres. Basically it all boils down to tricky programming which, if you know what your doing, can have interesting and unique results. On-board drum sounds, reverb effects and internal / external memory storage are also a plus.
The D-110 rackmount version adds 6 individual outputs, and the follow-up D-20 keyboard version adds an 8-track sequencer. Definitely worth a listen for any musician on a budget! It has been used by Suzanne Vega, Future Sound of London, and Information Society.
Specifications
Polyphony - 32 voices
Oscillators - Digital LAS (Linear Arithmetic Synthesis) & ROM Samples
Effects - 8 Effects
Multitimbral - 9 parts
Drums - 1 kit, 63 sounds
Memory - 128 internal & 128 external patches, 64 performances
Keyboard - 61 note with velocity sensitivity (D-10)
Control - MIDI
Date Produced - 1988
Est. Value - $200
Roland D-70
Billed as the next in line to the Roland "LA" synthesis crown, the D70 is an odd keyboard. It actually has more in common with the U-20/220 series ROMplers than with the D-50/550, which it was "kind-of meant" to replace. In fact, if you open it up, you''ll find the circuit boards are labelled "U50". Unfortunately, the D70 / U50 was rushed into production, to compete with the likes of the Korg M1 and T1/T2/T3ex series machines, and this lack of design care shows when navigating the user-interface, which could be politely described as "challenging".
So, given the similarities to the rather mediocre U-series sample ROMplers, and the "Super-LA" name....what to make of it?
The D-70 has a sample playback engine married to D50 style TVF filters, together with on-board effects, and a percussion soundset. The filters are resonant, and add some much needed "welly". This is the D-70's redeeming feature, because the filters are actually pretty damn good. It's a shame that (to this reviewer's knowledge) it doesn't seem possible to filter the drum samples though.
Performance wise, the D70 has a good quality 76 note keyboard in a sleek housing, and given its size, it's remarkably light. It is equipped with a large LCD display, to the left of which are 4 assignable faders. There is a fifth controller fader, labelled "C1" just above the pitch bender, in between the volume and brightness (filter cutoff) faders. The faders can be assigned in real-time to the following parameters: Level, Pan, Tuning, Cutoff, Resonance, Attack, and Release, using the keypad to the left of fader 1. The four faders equate to the four tones that can be used to make up a patch, rather like the D50's "upper / lower partials" although the more tones you apply, the lower the polyphony. This gives the performer real-time tweakability for doing filter sweeps, changing the relative levels of tones (for drawbar-style effects), etc. As an added bonus, the faders send MIDI data...
...which makes the D70 an excellent master keyboard for MIDI setups. It has keyboard splitting and zoning options that you'd expect to find on master keyboards. That's if you can decipher the midi implementation and work your way round an interface that redefines the word "awkward". Couple that with a 220 page manual, and it's not something you really want to do on stage, unless you've got it all worked out in advance. The D70 is one of those synths that you'll find yourself both enjoying and cursing in fairly equal measure.
Sound-wise, the D70 raw samples are your typical U20/220 faire. In fact the D70 reads U220 series PCM cards, and has two PCM card slots on the rear of the unit, together with a RAM slot. This may not sound too appealing - if you're looking for genuine acoustic instruments, then it's not for you. But, the D70 has some remarkably good Rhodes and Organ patches, and some fantastic synth bass and lead sounds. Couple this with the on board fx, and it is a bit like a souped-up D50 with much better filters, which provide both squelchy resonance and knob-twiddlyness.
To summarize, it's a nice ROMpler, albeit a little schizophrenic, capable of some wonderful classic Roland synth-noises, and makes a decent performance / live / master keyboard as well. It sounds better than the U220. If you're looking for a "proper synthesizer" you may be disappointed. Real shame actually; a bit more effort on Roland's part and this could have been a right little stomper. Due to the fact that it was never really a success, the D70 can prove very hard to find on the used market. But once you've got one, you probably won't want to let it go - it has JUST enough features in several different departments to redeem itself, and the warmth of the synth sounds belies their digital origin.
Specifications
Polyphony - 30 voices
Oscillators - Digital ROM samples and DLM ("Differential Loop Modulation")
LFO - YES
Filter - TVF FILTER: low-pass-resonant (like D50).
VCA - TVA (like D50).
Effects - Reverb, Chorus, Flanger (like D50)
#Instruments - 5-parts + 1-percussion
Keyboard - 76 note keyboard with velocity and aftertouch
Arpeg/Seq - None
Memory - 10 user sets, 64 performances, 128 patches, 128 tones.
Control - MIDI
Date Produced - 1990-91
Est. Value - $300-$500
Roland D-50
The D-50 is an all-time favorite digital synth that's still just as popular today as when it first came out in '87. Once Roland's hottest digital synth, it competed against the Yamaha DX7, and was much easier to use. By joining 8-bit PCM samples with "LAS" synth-generated sounds, the D-50 is capable of unique and complex sounds. The PCM samples contained the attack transients, while the rest of the sound came from the Linear Arithmatic Synth (LAS) section which sounds very analog, with subtractive-style synthesis and low-pass-resonant filters. Built-in chorus and (for the first time) digital reverb are also included for giving your sounds space and life! It also has a joystick controller for real-time timbre manipulation. The D-50 was great for new and non-acoustic, percussive, ethereal and beautiful pads & sounds.
Both the D-50 and D-550 benefit from the PG-1000 external controller which gives you very plain and simple slider/fader type control of all adjustable parameters of the synth. The D-50 includes MIDI on all 16 channels but because it is monotimbral you can only use one channel at a time. There is an upgrade which will give the D-50 and its rackmount version a full 16 channels of simultaneous MIDI multitimbral data communication. This popular synth has been widely used in all forms of music. Eric Clapton, Enya, 808 State, Jean Michel Jarre, Vince Clarke, Apollo 440, Eat Static, LTJ Bukem, Fluke, Information Society, Lab-4, Gary Numan, Rick Wakeman, Kitaro, Rush, Vangelis, Richard Barbieri, Boston and Nick Rhodes of Duran Duran are just a few of the many satisfied users.
Specifications
Polyphony - 16 voices (32 partials with 2 per voice); 8 voices (using 4 partials per voice in Dual or Split Mode)
Oscillators - Digital LAS (Linear Arithmetic Synthesis) & PCM, 32 osc.
LFO - YES (3 x 2tones = 6 LFOs)
Filter - low-pass-resonant
Envelopes - ADSR envelopes
Effects - YES
#Instruments - Monotimbral (can be upgraded for multitimbrality)
Keyboard - 61 note keyboard with velocity and aftertouch
Arpeg/Seq - None
Memory - 64 patches
Control - MIDI
Date Produced - 1987-89
Est. Value - $400 - $600
Roland Alpha Juno 1
The Alpha Juno is a great sounding Juno type synth! Not quite as warm in sound as the previous Juno's but still a nice addition to any techno synth rig. Sliders and buttons were replaced by membrane buttons and the Alpha Dial which is used to edit and browse through the extensive selection of parameters: DCO digitally controlled oscillators, LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF filter with freq/env/res/LFO/kybd, VCA envelope, chorus, and more. The PG-300 synthesizer programmer gives you traditional slider control of each parameter for much easier and faster editing.
Other nice touches include better MIDI implementation than previous Roland synths, 64 presets and 64 user patches, a nice LCD display, an LFO capable of a very slow rate for some cool sweeping effects, and a great bass sound (especially nice for acid basslines) and noise effects! It also has chord memory which is perfect for rave & techno, portamento and keyboard transposing. The Alpha Juno 1 was soon replaced by the Alpha Juno 2 which added a few MIDI & keyboard enhancements. The MKS-50 is an upgraded rackmount version of the Alpha Juno. The Alpha Juno is used by Mundo Muzique, Vince Clarke, Matt Megaton Haines, Paul Hardcastle, Massive Attack, Bomb the Bass, The Prodigy, Youth, Joey Beltram and Human Resource.
Specifications
Polyphony - 6 voices
Oscillators - 3 DCOs: Pulse, Sawtooth, Sub, noise waveforms
Effects - portamento, chord memory, transpose, chorus
Memory - 64 User, 64 preset, backup to cassette
Filter - 24db analog lowpass filter
Envelopes - ADSR Envelopes
Arpeg/Seq - None
Keyboard - 49 note keyboard (no velocity or aftertouch)
Control - MIDI
Date Produced - 1986
Est. Value - $200- $400
29 Ağustos 2009 Cumartesi
15 Temmuz 2009 Çarşamba
7 Temmuz 2009 Salı
Roland EM 50 styles download
Roland EM 50 styles download
1 16beat2.zip download
2 16beat3.zip download
3 8beat1.zip download
4 8beat5.zip download
5 Ballad4.zip download
6 Beguine.zip download
7 Bigband.zip download
8 Chacha.zip download
9 Contemp.zip download
10 Dance2.zip download
11 Dance5.zip download
12 Dance6.zip download
13 Dixie.zip download
14 Foxtrot.zip download
15 Funk1.zip download
16 Funk4.zip download
17 Greek2.zip download
18 Greek2.zip download
19 Lambada.zip download
20 Limbork.zip download
21 Mambo.zip download
22 Meneait.zip download
23 Merengue.zip download
24 Mexrock.zip download
25 Pasodobl.zip download
26 Pdoble2.zip download
27 Pop1.zip download
28 Pop2.zi download
29 Reggae.zip download
30 Rhumba1.zip download
31 Rhumba2.zip download
32 Rhumba-e.zip download
33 Rhumba-g.zip download
34 Samba5.zip download
35 Slrock2.zip download
36 Stndard.zip download
Roland EM 50 Turkish Styles (Roland EM 50 Türk - Arabic stilleri)
1 2_4_01.zip EM50 OR download
2 4_4_arap.zip Standart download
3 5_8_01.zip Standart download
4 5_8_02.zip EM50 OR download
5 5_8_mus.zip Standart download
6 6_8_Azer.zip Standart download
7 7_8_Kara.zip Standart download
8 9_8_01.zip Standart download
9 9_8_02.zip Standart download
10 9_8_03.zip EM50 OR download
11 Anad_E70.zip Standart download
12 Anadolu.zip Standart download
13 Arap.zip Standart download
14 Arabesk.zip Standart download
15 Azeri.zip EM50 OR download
16 Bayon01.zip Standart download
17 Bayon02.zip Standart download
18 Bayon03.zip Standart download
19 Cifte01.zip EM50 OR download
20 Cifte02.zip Standart download
21 Cifte03.zip Standart download
22 Duek.zip EM50 OR download
23 Karaden.zip EM50 OR download
24 Oryantal.zip Standart download
25 Slow_01.zip Standart download
26 Slow_T64.zip Standart download
27 Slow_T85.zip Standart download
28 Vahde01.zip EM50 OR download
29 Vahde02.zip EM50 OR download
30 Vahde03.zip Standart download
31 Vahde04.zip Standart download
32 Vahde05.zip Standart download
33 Vahde06.zip Standart download
34 Walz1.zip Standart download
Roland EM 50 Turkish Midi Files
Roland EM 50 Turkish Midi Files
2_4 EM50.mid download
Ada Sahilleri EM50.mid download
Adi bende sakli EM50.mid download
Aksam gunesi EM50.mid download
Alaman essekci - Zuhtu EM50.mid download
Arabikse EM50.mid download
Arabistan EM50.mid download
Avuclarimda yeni EM50.mid download
Azar azar TR909.mid download
Bahari bekleyen kumrular EM50.mid download
Bebek EM50 Ozi Lyrics.mid download
Bellydance EM50.mid download
Ben kuskunum EM50.mid download
Benzemez kimse EM50.mid download
Berivan 01 EM50.mid download
Berivan 02 EM50.mid download
Bir bahar aksami EM50.mid download
Bir tatli tebesum EM50.mid download
Bir tesseli EM50.mid download
Biz ayrilamayiz EM50.mid download
Birisi Yildizhan 01 EM50.mid download
Birisi Yildizhan 02 Lyrics EM50.mid download
Bu ne sevgi EM50 Meyanli.mid download
Bu ne sevgi EM50 oynak.mid download
Caney Em EM50.mid download
Cift 1 EM50.mid download
Cift 2 EM50.mid download
Cift 3 EM50.mid download
Cift 5 EM50.mid download
Cift 6 EM50.mid download
Dansoz oyunu EM50.mid download
Darbuka 1 EM50 Levent.mid download
Darbuka 2 EM50 Timo Techno.mid download
Darbuka 3 EM50 283mezur.mid download
Darbuka Show - EM50.mid download
De bana - YKardesler EM50.mid download
Donulmez aksamin 04 EM50.mid download
Duydumki EM50.mid download
Elveda istanbul EM50.mid download
Eski dostlar E.mid download
Erkelet guzeli 3 EM50.mid download
Fesupanallah EM50.mid download
Fidayda EM50.mid download
Geceler EM50.mid download
Gulum benim EM50.mid download
Gunlerdir EM50.mid download
Guz gulleri em50.mid download
Halay EM50 TR909.mid download
Havada Bulut Yok EM50.mid download
Havar EM50.mid download
Her mevsim EM50.mid download
Hic bir seyde - Zeki Muren.mid download
Huysuz ve tatli EM50.mid download
Kalenin bedenleri EM50.mid download
Kara Uzum Habbesi - Ibo EM50.mid download
Karabulutlar - sanaat 9_8 EM50.mid download
Karam EM50 Dm.mid download
Keskin bicak EM50.mid download
Kirmzi gul EM50.mid download
Leylaklar - EM50.mid download
Mehtapli geceler EM50.mid download
Mevlam EM50.mid download
Nar tanesi EM50.mid download
Naragaci EM50.mid download
Neden saclarin EM50.mid download
Omrumce hep EM50.mid download
Omrumuzun son demi EM50.mid download
Ormanci EM50.mid download
Oryantal 01 EM50.mid download
Oryental 02 EM50.mid download
Rober Hatemo - Azili bela EM50.mid download
Rober Hatemo - Cicegim EM50.mid download
Rober Hatemo - Vurdibine EM50.mid download
Roman2 EM50.mid download
Sakine - izzet yildizhan EM50.mid download
Sari kurdale EM50.mid download
Senede bir gun EM50.mid download
Seni ben ellerin EM50.mid download
Simdi uzaklarda EM50.mid download
Sevmekten kim usanir EM50.mid download
Soyleyem EM50.mid download
Sozlerim sevenlere EM50.mid download
Tebessum EM50.mid download
Telgrafin Tellerine EM50.mid download
Unuttur az seni EM50.mid download
Unutursun diye EM50.mid download
Vardar ovasi EM50.mid download
Vurgun EM50.mid download
Veda busesi EM50.mid download
Yalan ask - Zafer Peker TR909.mid download
Yalanin Batsin EM50.mid download
Yesil ordek EM50.mid download